By Preminda Jacob
Towering billboards that includes photorealistic photographs of renowned cinema stars and political leaders ruled the cityscape of Chennai, within the south Indian nation of Tamil Nadu, in the course of the moment half the 20 th century. learning the manufacture and reception of those billboards―known in the neighborhood as banners and cutouts―within the context of the entwined histories of the cinema and political events in Tamil Nadu, Preminda Jacob unearths the wider value of those fragments of visible tradition past their speedy functionality as beautiful items of advertising.
Jacob analyzes the juxtaposition of cinematic and political imagery within the extra-cinematic terrain of Chennai's urban streets and the way this placement used to be pivotal to the elevation of neighborhood celebrities to cult prestige. while studying those photographs and discussing their political and cultural resonance in the Tamil Nadu group, Jacob attracts upon a number of views to provide applicable context to this interesting kind of visible media.
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